CentreHouse Press is an independent literary publisher, specialising in memoirs,
travel books, plays, literary fiction, children’s books and non-fiction. The press
also publishes ebooks.
For all the latest CHP news, events, readings etc., Caxton’s Muse, the CHP blog,
is regularly updated. CHP also recommends Exfoliations, a general arts reviews blog.
Print and ebooks published by CentreHouse Press can be ordered online at all the
usual retail outlets. Follow the link here for more information.
The Finger, a journal of the arts, literature and culture, enjoyed a brief starburst
in the closing quarter of 2005, running to two issues. Published by CentreHouse Press,
and edited by Peter Cowlam, it featured the work of writers Val Hennessy, Allen Saddler,
Mari Garcia, Jack Degree, Richard Hillesley, Bob Mann, Brian Poilly, Robert Vint,
Jo Larsen, and Sam Richards.
'The Moving Finger writes: and, having writ, / Moves on...'
The Burghers of Ceylon, by Andrew Elsby, traces the origins and history of the mixed-race
populations of imperial Ceylon. It explains how, and why, those populations emerged,
how they developed, how they were distinguished – and how they distinguished themselves
– from the Europeans and from the native populations. It explores the components
of burgher identity. The author also provides answers to the following questions.
How reliable is the evidence of the Dutch Burgher Union’s genealogies? How prevalent
is racial misrepresentation, and what were the motives behind it? How were the mixed-race
populations treated by the European colonial powers? What happened to those mixed-race
populations when colonial rule ended in 1948?
The Engaged Musician, by Sam Richards, is a passionate call to musicians, of whatever
genre or discipline, to rescue themselves and us from the commercial tyrannies and
dictates currently forming our musical life, and relocate it very determinedly in
a meaningful social and aesthetic exchange. The book focuses on various themes typical
of social, political and cultural engagement, without insisting on sectional interests.
In part it scrutinises pervasive myths and doggedly held positions.
Who’s Afraid of the Booker Prize? by Peter Cowlam. For Alistair Wye, assistant to
‘top’ novelist Marshall Zob, Zob makes just two mistakes. First, he plans a commemorative
book celebrating the life and work of his dead mentor, John Andrew Glaze, whose theory
of ‘literary time’ is of dubious philosophical pedigree. Second, Zob turns the whole
literary world on its head through the size of advance he instructs his agent to
negotiate for his latest, and most mediocre novel to date. Secretly Wye keeps a diary
of Zob’s professional and private life. Comic, resolute, Wye stalks through its every
page, scattering his pearls with an imperious hand. An unsuspecting Zob ensures perfect
conditions for the chronicler of his downfall.
Two new plays by Garry O’Connor bring together Debussy Was My Grandfather and The
Madness of Vivien Leigh. The first is set in London in the late 1960s, and is about
a composer, conductor, pop group manager, former dancer, and for good measure the
daughter of a Zürich gnome (as they were known in those days). The Madness of Vivien
Leighis based on books O’Connor has written about Laurence Olivier, Vivien Leigh
and Ralph Richardson.
CentreHouse Press has published, in either paper or electronic form, the following
writers: Garry O’Connor,Peter Cowlam, Tony Phillips, Andrew Elsby, Eliza Granville
and Sam Richards.
The press has also featured the work of artists Anne Boulting, Christopher English
and Julie Oxenforth. The press has also worked with French artist Thierry Naiglin,
and Spanish artist M Elena M Rosillo.